It’s difficult to be fully immersed in Cami’s world as the film’s problem-solving demands our active participation. For folks who are just as indecisive as the heroine, this poses a lot of pressure to make it to the end credits or find themselves caught in a hellacious, unending cycle of second-guessing.įrom the meta-themes centered on controlling fate and destiny to the characters and their conflicts, everything hovers at surface level. It’s not until Cami has a vivid dream in which her trio of prospective beaus pointedly tell her to choose them that our choices for her splinter into radically divergent avenues. In the first act, we’re given two options that, while different, both feed into similar following sequences. Cami continually breaks the fourth wall, à la “Fleabag,” addressing the audience when her conscience is in crisis mode to alert us to an impending decision to be made. The user interface is fairly straightforward. Unsure about her future and with the permanence of commitment weighing heavily on her mind, Cami consults a psychic (Jacque Drew) who informs her there are two more suitors soon to enter the picture: Jack (Jordi Webber), a photographer/hippie she dated in high school, and Rex ( Avan Jogia), a rock-‘n’-roller who could make her career aspirations a reality. And she has an attractive, attentive boyfriend of three years, Paul (Scott Michael Foster), whom she nervously suspects is about to pop the question. She has a steady job as a recording engineer, but would love greater artistic challenges and a significant pay raise. ![]() She lives in Los Angeles in a cozy home with her sister (Megan Smart), brother-in-law (Benjamin Hoetjes) and young niece (Nell Fisher) nearby, but would like to start a family of her own. Cami ( Laura Marano) isn’t exactly feeling fulfilled.
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